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Iconography is an art that keeps many secrets. Such secrets are ciphered in signs and symbols which conceal information, concepts and details unapparent for a cursory glance of an average person, but reveal a deep sacral meaning to an inquisitive heart of the one who seeks more than the entire material world can offer to its two-legged batteries. Probably, there is no person on the earth (other than representatives of tribes living in jungles) who hasn’t seen an icon of the Mother of God at least once, namely an icon where there is an up-horned crescent in the lower part of the image or a veil held in Virgin Mary’s hands while her elbows are bent. Icons drawn in such a style have always been particularly nice and attractive for me. Grace and tenderness beyond expression are coming from such images which, like a light amidst impenetrable darkness, are capable of rescuing anyone who asks for Virgin Mary’s help from the quagmire of existence in the brutal world created by people themselves.
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