Found items - 7
Familiarizing myself with information about Angkor Wat on the web, I discovered almost same things written everywhere; simply speaking, the information was taken from a single source, though many do not refer to that source, as if they wrote it themselves. I will use the same source, but will also indicate the primary source not mentioned by many. The primary source is the book Heaven’s Mirror: Quest for the Lost Civilization by Graham Hancock and Santha Faiia. A connection between Angkor and the sky was ascertained by John Grigsby who cooperated with Hancock in 1996. I refer to the primary source, so that everyone who desires could get to know more detailed information on the subject, while I shall only cite extracts and give some comments.
In this article we continue with the topic discussed in The revealed secrets of Angkor and Giza plateau – the pendulum of Orion and Draco. Apocalypse now? Last time I considered only one source – books by Graham Hancock, while in this material I will consider works by various authors where the cataclysm theory and past climate changes are mentioned. At that, let me start with perhaps the most interesting source – Sensei of Shambala (Book IV) by Anastasia Novykh.
"Twenty thousand years ago, when a larger part of Europe was covered with ice shelves, North Africa was a rather flourishing earthly paradise. Once the ice went away and climate turned drier, periods of droughts set in. But we won’t talk about that now. If we look from the outer space at the geographical region of the northeast African continent, we can see a beautiful blossoming out flower of a blue lotus amidst the desert sands, which is shaped by the Nile river (by the way, if someone doesn’t know yet, it’s the longest river in the world today). Due to its broad triangle and bowl-shaped delta flowing into the Mediterranean Sea, petal-shaped veins of rivers in the region of the delta itself as well as the long serpentine band of the river, the Nile resembles a blossoming out flower of lotus on a long stalk. Whereas twelve and a half thousand years ago, owing to the coastal line of this delta, the resemblance with petals of the lotus flower was perfect. At that time Shambala or, to be more precise, the Shambala Threshold was situated almost at the “flower base”. Its previous location was on the side of a magnificent lake in the place where the Black Sea waters lap nowadays; and the next location was already in the mountains of Belovodye where the Shambala Threshold is situated to this day."
I am fond of stars, and you? I wouldn’t be mistaken if I say everyone drew a star at least once in their lifetime. Of course, it’s more characteristic for children who draw spaceships flying towards stars or the night sky with stars and the moon; draw a Christmas tree with a star on its top, or their grandfather who passed the war with a star on his chest. Numerous examples can be made of how stars are depicted in children’s art. And adults, I think, draw stars from time to time, why not?
There are many diverse theories regarding the ways and trajectories along which celestial bodies move in the boundless space. Probably, this is better visible to astronomers and various degree-bearing scholars who scrutinize the stellar sky via telescopes from the tiny planet Earth, by means of launched satellites and through the prism of their consciousness. Hence, we will not argue, but only share some of our hypothetical considerations that emerged recently as to the presence of the Earth’s steady rotation axis and a remote point that the axis objectively rests against. In order not to oversaturate the article with quotes containing scientific terminology that excessively loads consciousness we have decided to use more visual elements.
Perhaps, there is no corner on the Earth where there are no dragon legends and myths. These mysterious creatures have been capturing people’s minds since ancient times, gradually changing and gaining further new features and forms that contradict each other at first sight, for just as god Shiva a dragon embodies both the power of life and the power of destruction.
“A dragon is the spirit of transformation and thus the spirit of life itself.” Like the sphinx, a dragon is a symbol of unity of the four elements. In the Orient, a winding dragon symbolised creative rhythms and cycles of nature, while a pearl in its mouth meant the power of undertaking.
Attention! The text below contains complete quotes that are in no way distorted by the article author. Everyone understands the quotes according to his or her spiritual, moral and intellectual development!
A conversation between Graham Hancock and Robert Bauval as cited in Fingerprints of the Gods
THE FIRST TIME
I found the implications of the Orion correlation complicated and eerie.
On the one hand, the Great Pyramid’s southern shafts ‘precessionally anchored’ the monument to Al Nitak and Sirius in 2475-2400 BC, dates which coincided comfortably with the epoch when Egyptologists said the monument had been built.
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Project Aim
