Found items - 11
People are like birds and stones. For some, just a hint, a single word is enough to be prompted to the spiritual height. And their awakened essence will soar towards perception of the infinite universe. While others… Well, a stone is a mere stone.
While reading myths, Vedic sources, studying signs and symbols, and based on the Primordial Knowledge given in the books by Anastasia Novykh, I have noticed that some images frequently used in all these sources (despite the fact they are depicted and called differently) symbolize one and the same concept – the one that may be figuratively referred to as the Bridge. I wrote on this subject in my earlier article Chinvat. The Bridge over the Abyss, but for those who haven’t read it I should briefly explain: what is meant here is the symbolic Bridge-Passageway signifying the spiritual Knowledge that helps human personality pass from the material world into the spiritual world – the world of God. It may otherwise be said that “the Bridge is what helps human personality merge with the Soul”.
Once again we recur to the topic of ancient architecture such as temple buildings and pyramids, because for us it is obvious they were built by rather highly spiritual beings, in special places, in compliance with geometrical proportions and, most importantly, for a determined purpose. By no means, such objects were constructed by savages or wild indigenes for any terrible sacrificial offerings, as official historians endeavour to impose on us. Let us again state the historians’ opinion in this case dances to somebody’s tune which sounds as follows: “Don’t ask any additional questions, for everything is totally clear.” But it’s not quite clear either to everyone or to us. Therefore, in our publications we will continue examining strange, mysterious buildings with a surely sacral meaning that are located nearly on all continents of the globe. At that, unlike many other seekers of the truth, we shall rely on the Primordial Knowledge brought to the world by Bodhisattva Rigden Djappo. We are confident that either we ourselves or our followers will once manage to unravel these age-old mysteries. In the meantime, let’s take a closer look at the Temple of Kukulkan.
Teotihuacan is a desolate ancient city in Mexico, located 50 kilometres to the northeast of Mexico City, one of the oldest, largest and most mysterious sites in the Western Hemisphere, the precise age of which is unknown. Aztecs called it the “Birthplace of Gods” – no wonder it preserves numerous unsolved mysteries and riddles. According to legends of Indian elders, after the Flood gods returned to Teotihuacan in order the recreate the world. Teotihuacan is a supposed place of birth of the Fifth Sun; it is considered that the last sun of the human era emerged there. It is also known that after a ruin the grandiose pyramid complex was buried under earth and melted due to a high temperature exposure.
Owing to a single little hint given in the commentary section regarding “bearded men”, a new extensive and bold hypothesis emerged, the first sentence of which you are reading right now, dear friends. At the initial stage of our online project we were actively searching for evidence of “the Messiah advent”, having reviewed an enormous range of available materials on prophecies and predictions, but later on we stopped because there were not so many predictions deserving attention and freely accessible. Then we started reviewing the Primordial Knowledge and ancient archaeological monuments at greater length, in particular stone pyramids that, on one hand, are scattered all over our planet and, on the other hand, are placed by accurate geographic coordinates, and we endeavoured to understand why ancestors erected such strange, mysterious, sometimes small and sometimes giant structures which have survived through time. In the course of our research we encountered references to legendary personalities who either descended from heaven, or came out of the water, or arrived by a boat, or ruled different nations, and who always provided people with practical advice and spiritual knowledge, i.e. rendered a real help. To tell the truth, when I began to collect and analyze new materials, I had no idea what the outcome would be, but my discoveries turned out to be indeed staggering.
The 11th century AD, the remote time which nobody has particularly noted and which seems to be deservedly consigned to oblivion in history. What could be so interesting in such a distant past for contemporary humanity? Questionable events or inaccurate chronology? As a matter of fact why would anyone delve into what has vanished long ago? It’s hard to dispute with such arguments, especially today when there is a clear understanding of the value of the here-and-now point in human life. Nonetheless, there is a big BUT about this, and our inquisitive mind armed with the Primordial Knowledge endeavours to stand us in good stead and find interesting elements in historical records which, if linked together, unexpectedly reveal a striking picture for us. So, what are we actually talking about? In our subsequent publications we will tell you about the wave or even a whole tsunami of spiritual renascence that rolled around the planet in a marvellous and incomprehensible way. Although our finds represent just a weak hypothesis so far and we don’t claim them to be anything more significant, this is still a very exciting journey that for many people will hopefully become a pleasant surprise capable of inspiring, reassuring, and strengthening them on the spiritual path.
In view of the recently published precedents of the Primordial Knowledge distortions (link) in the works of our contemporaries, we thought it would be interesting and edifying to give an example from a not-so-remote past in the history of a no longer existing nation that became globally notorious for their deeds. Let’s talk about the Aztecs.
In the very beginning of Heaven’s Mirror Graham Hancock gives an excellent description of the outcome achieved by the Aztecs some 500 years ago as a result of distortion and misinterpretation of the Knowledge which all of us, the contemporary humanity, are given in the AllatRa book. I am sure there are many more of such examples in the history of bipeds living on this beautiful planet, calling themselves humans, yet surpassing any wild beast by their cruelty.
In search of information to confirm what is written in the books by Anastasia Novykh, in particular the AllatRa book, I spent some time on the symbol of the Universe – the serpent biting or eating its own tail. The relevant part of the book is certainly rather difficult to understand without appropriate spiritual development and one’s personal experience, for it tells (no less than) about the structure of the Universe and the system of 72 dimensions that form it. Residing in the third dimension, it is surely quite hard to perform analysis on the subject, so let us start with a little point – the symbol itself. Below I will present a quote and a number of images, which all indicate that the symbol of the serpent eating its tail is rather well-known.
This article contains brief review and analysis of Trypillian anthropomorphic plastic art (hereinafter referred to as TAPA) or, in other words, anthropomorphic items made of burnt clay and associated with Cucuteni-Trypillian archaeological culture. The term anthropomorphic originates from the Greek word anthropomorphos and means “having a human or humanoid image”.
The purpose of this work is to familiarize readers with the aforesaid original culture, as well as to thoroughly extend knowledge of such a unique cultural phenomenon as TAPA. For this we shall analyse it not only from the viewpoint of mainstream science, but also from the perspective of sacral knowledge about the human nature as presented in the books by Anastasia Novykh.
In many of our articles, information in one or another way relating to the serpent or dragon symbol arises quite often. Mentions of snakes and serpent / snake images are found everywhere, beginning with mythology, arts and architecture of nearly every nation and up to constellations reproduced in grandiose temple complexes on the Earth. Serpent symbolism was partially covered in the articles Gudea’s Goblet and The serpent biting its own tail as a symbol of the Universe. The subject has proved to be so extensive and interesting that we’ve decided to dedicate several more publications to it.
Perhaps, there is no corner on the Earth where there are no dragon legends and myths. These mysterious creatures have been capturing people’s minds since ancient times, gradually changing and gaining further new features and forms that contradict each other at first sight, for just as god Shiva a dragon embodies both the power of life and the power of destruction.
“A dragon is the spirit of transformation and thus the spirit of life itself.” Like the sphinx, a dragon is a symbol of unity of the four elements. In the Orient, a winding dragon symbolised creative rhythms and cycles of nature, while a pearl in its mouth meant the power of undertaking.
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10.07.2016
25.07.2016
31.07.2016
Project Aim
