Found items - 9
“This spiritual practice is called “the Lotus Flower”. It consists of the following. You imagine that you plant a lotus seed inside yourself, to the solar plexus area… And this small seed grows owing the power of Love generated by your positive thoughts. Thus, controlling the flower growth, you artificially get rid of negative thoughts that constantly whirl in your head.”
People are like birds and stones. For some, just a hint, a single word is enough to be prompted to the spiritual height. And their awakened essence will soar towards perception of the infinite universe. While others… Well, a stone is a mere stone.
The uniqueness of Easter Island shows in diverse opinions of it. That is, on one hand, people know everything about this place, but on the other hand they know nothing. Its enigmatic stone statues keep being silent witnesses of the ancient and unknown culture. Yet, who could create these monumental sculptures out of rocks?
A little bit of geography. In the south-eastern part of the Pacific Ocean, between Chile and Tahiti there is Easter Island (see Figure 1). Local natives call it Rapa Nui. Easter Island is one of the remotest islands on the planet. The distance to the closest dry land is 2,092 kilometres in the west and 2,971 kilometres in the east. The island has a triangular shape with extinct volcanoes on each of its edges.
In our last year’s article Accidents are not accidental? we wrote that the author Anastasia Novykh had finished writing the modern best-selling book entitled AllatRa on 21 December 2012, which was evidenced by the stylized typewritten commemorative note published on the author’s official website www.schambala.com.ua. Later on for some reason the note was replaced with the ordinary text, although initially it looked like this:
We kindly recommend you to familiarize yourselves with the previous articles of the series In quest of… A journey to the remote 11th century:
A journey to the remote 11th century series has proved to be much more difficult than I expected, though such difficulty even peps me up. During the last two months I felt ten times sorry for having started the theme. Max Vorontsov and Yura Ignatov who are searching for relevant information on the web also note a similar unclear pressure from outside. A part of my consciousness throws in numerous provocative questions and doubts about the reasonability of continuing the series, but at the same time the other part unexpectedly finds counterarguments, saying without such an analytical material dedicated to the initial preamble the whole website project may come down to a mere collection of authors’ lyrical opinions and lose its ultimate purpose. Therefore, we shall anyway endeavour to continue, though with a slight adjustment in our movement: we will minimize assumptions from our minds and refer only to universally recognized facts and discovered photographs. In particular, in this article we will have very, very many images, since the Pacific Ocean is truly immense.
The Permian Animal Style includes shaman images, Chud amulets and cult casts – bronze artworks of the 7th century BC – 12th century AD, discovered in the forest and tundra area of Northeast Europe and West Siberia, from the Kama-Vyatka river basin to the Yenisei-Ob watershed. The found animal-style items created by the ancients are now kept in numerous private collections, antique shops, art galleries, and state history museums including the HermitageMuseum in St. Petersburg.
Continuing the first article entitled The secret of the Permian Animal Style has been uncovered. Part I: The lateral animal Aspects, and considering archaeological exhibits kept in private collections and history museums and dating back to the ancient mysterious Perm culture, I would like to draw readers’ attention to the motif that we are already familiar with, i.e. the “standing on the beast” or “trampling on the beast” motif, which according to the Primordial Knowledge is interpreted as a person’s victory over his or her animal nature. This is new incontrovertible evidence that spiritually advanced people once lived in that region. Official history is unwilling to tell, or rather passes over in silence, when those people lived and what became of them.
We are going on with publication of the Permian Animal Style artefacts, having sorted them by categories we are interested in and having added corresponding explanations to shed light upon the mystery of strange motifs in shaman images, Chud amulets and bronze cult casts. Let me remind of the links to the previous articles of the series:
In the final material dedicated to the Permian Animal Style I will first spilt the image collection into three sections: Three-Faced Beings, Birdman, and Hands on the Belly, then I’ll add several images of “sacred bugs”, and in the end there will be a brief comparative analysis based on photos of artefacts from other ancient cultures, published on our website earlier.
If you remember, in the previous Part Four of the In quest of… series, like pathfinders we were following traces of the unknown glorious seafarers who had fearlessly furrowed the immense Pacific Ocean with a certain clearly defined purpose as I believe. I cannot say with confidence whether it was an accidental concurrence of circumstances or rather a result of an implemented great spiritual plan that remained in traces of ancient cultural monuments on Easter Island and in Polynesia. Somebody may regard it as mere coincidence that the historical period of the 10-11th centuries AD which we consider in this article series was marvellously and simultaneously imprinted in North, Central and South America, as well as on legendary Easter Island and a bunch of other PacificIslands, having given birth to advanced civilizations and cultures.
02.08.2017
10.07.2016
25.07.2016
31.07.2016
Project Aim
