Found items - 5
Our consciousness is arranged very interestingly. Say, you read a piece of information, see presented evidence with your own eyes, and believe in everything you read, not having even a slightest doubt. Yet, who believes? Obviously, not consciousness.
At the beginning of this year, I happened to stay a couple months in the US state of Arizona. Those who know at least a little bit of geography are aware of the fact that this state is famous for the Grand Canyon National Park, which is considered to be one of the natural wonders of the world. Moreover, in the state there is the largest reservation of Navajo and other Indian tribes. Halfway to the Grand Canyon there is a town of Sedona that looks like a mini Grand Canyon and is, so to say, a preparation for a traveller to see the entire might, grandeur and incredible beauty of the canyon itself.
In different times, same ornament elements were perceived and used in different ways, depending on people’s beliefs and views of the surrounding reality. Ornaments were attached a special interpretation, visual solution and style to. For instance, in ancient heathen beliefs a rose (rosette) was the flower of goddess Venus – the symbol of love and beauty; in the Middle Ages it symbolized the flower of the Mother of God, and in Islam it is the symbol of heavenly life and cosmic power: “rose blazes as the gift of the sun, while its petals are small moons”. Ancient decorative elements have been preserved in traditional arts of the peoples of Africa, Australia and Oceania, in ornaments of South American Indians. Their ornaments and decorative motifs include both real and geometric, conventionally stylized shapes.
Black-and-white drawings by Anastasia Novykh… After the prologues and prefaces to the marvellous books by the Author it would be logical to present on our website her meaningful drawings used in the context of narration. Scrutinizing some of them, I catch myself at thinking that I have no idea of the enigmatic symbolism of these images. My “old friends” Google and Yandex cannot help me with this either, and there are neither explanations nor discussions by the readers of these strange drawings, which sometimes appear quite tough. I guess they can definitely bear some hidden information. Yet, what is this information, and whom is it intended for?
For the first time I heard about dolmens four years ago when a friend of mine came back from Anapa, where he had spent vacation at his parents’ house, and brought me a little souvenir – a box made of flat pebbles with a round aperture on one side. After his brief story I got an impression that in the past such structures had been used in a totally different way than people think nowadays (at that time I was not yet familiar with the wonderful books by Anastasia Novykh). Time went by, and my second “meeting” with dolmens took place when I was reading Ezoosmos. Visually I could already imagine how dolmens looked. I wanted to study the issue at length, but thousands of reasons interfered as usual and prevented me from looking into it. Hopefully, now by common efforts we will be able to maintain a more or less appropriate introductory material.
Continued from Part 1 (read here)
As usual, there are numerous hypotheses, beginning with extraterrestrial and up to simple ones.
- The most widespread way to build dolmens was probably the following. An artificial mound was made, into which they dug vertical stones (one or several). Then they dragged another stone up the mound slope and placed it on stone pillars, and such stone served as a vertical partition. Thereafter they gradually demolished the mound, and the finished dolmen remained.
02.08.2017
10.07.2016
25.07.2016
31.07.2016
Project Aim
