The uniqueness of Easter Island shows in diverse opinions of it. That is, on one hand, people know everything about this place, but on the other hand they know nothing. Its enigmatic stone statues keep being silent witnesses of the ancient and unknown culture. Yet, who could create these monumental sculptures out of rocks?
A little bit of geography. In the south-eastern part of the Pacific Ocean, between Chile and Tahiti there is Easter Island (see Figure 1). Local natives call it Rapa Nui. Easter Island is one of the remotest islands on the planet. The distance to the closest dry land is 2,092 kilometres in the west and 2,971 kilometres in the east. The island has a triangular shape with extinct volcanoes on each of its edges.
I am fond of stars, and you? I wouldn’t be mistaken if I say everyone drew a star at least once in their lifetime. Of course, it’s more characteristic for children who draw spaceships flying towards stars or the night sky with stars and the moon; draw a Christmas tree with a star on its top, or their grandfather who passed the war with a star on his chest. Numerous examples can be made of how stars are depicted in children’s art. And adults, I think, draw stars from time to time, why not?
In view of the recent events relating to some people’s concern about the emergence of a peculiar sign – a circle and a crescent (under the circle) – in the streets of Slavic cities (though for justice’ sake let’s note the sign first appeared on city billboards a couple of years ago and has always been there since that time as this post vividly demonstrates), we would still like to carry out an impartial analytical research of the nature of this phenomenal image, its origin, meaning and informational content. By the way, our intention to look into the issue in more detail appeared quite a while ago, but we have been postponing this work due to its complexity, because any more or less serious research first and foremost presupposes collection and analysis of a considerable stratum of information, which takes a lot of time and effort. Yet, now such material has become very topical, and so I’ll do my best to put down certain interesting points.
In this article we continue with the topic discussed in The revealed secrets of Angkor and Giza plateau – the pendulum of Orion and Draco. Apocalypse now? Last time I considered only one source – books by Graham Hancock, while in this material I will consider works by various authors where the cataclysm theory and past climate changes are mentioned. At that, let me start with perhaps the most interesting source – Sensei of Shambala (Book IV) by Anastasia Novykh.
"Twenty thousand years ago, when a larger part of Europe was covered with ice shelves, North Africa was a rather flourishing earthly paradise. Once the ice went away and climate turned drier, periods of droughts set in. But we won’t talk about that now. If we look from the outer space at the geographical region of the northeast African continent, we can see a beautiful blossoming out flower of a blue lotus amidst the desert sands, which is shaped by the Nile river (by the way, if someone doesn’t know yet, it’s the longest river in the world today). Due to its broad triangle and bowl-shaped delta flowing into the Mediterranean Sea, petal-shaped veins of rivers in the region of the delta itself as well as the long serpentine band of the river, the Nile resembles a blossoming out flower of lotus on a long stalk. Whereas twelve and a half thousand years ago, owing to the coastal line of this delta, the resemblance with petals of the lotus flower was perfect. At that time Shambala or, to be more precise, the Shambala Threshold was situated almost at the “flower base”. Its previous location was on the side of a magnificent lake in the place where the Black Sea waters lap nowadays; and the next location was already in the mountains of Belovodye where the Shambala Threshold is situated to this day."
Once again we recur to the topic of ancient architecture such as temple buildings and pyramids, because for us it is obvious they were built by rather highly spiritual beings, in special places, in compliance with geometrical proportions and, most importantly, for a determined purpose. By no means, such objects were constructed by savages or wild indigenes for any terrible sacrificial offerings, as official historians endeavour to impose on us. Let us again state the historians’ opinion in this case dances to somebody’s tune which sounds as follows: “Don’t ask any additional questions, for everything is totally clear.” But it’s not quite clear either to everyone or to us. Therefore, in our publications we will continue examining strange, mysterious buildings with a surely sacral meaning that are located nearly on all continents of the globe. At that, unlike many other seekers of the truth, we shall rely on the Primordial Knowledge brought to the world by Bodhisattva Rigden Djappo. We are confident that either we ourselves or our followers will once manage to unravel these age-old mysteries. In the meantime, let’s take a closer look at the Temple of Kukulkan.
And the great Angkor again! After publication of the sensational article The revealed secrets of Angkor and Giza plateau – the pendulum of Orion and Dragon we continued the subject in Angkor Wat. Architecture, frescoes and sacral numbers 7 and 72, while in this new article we present a unique opportunity for our readers to look into the mysterious and marvellous world of Angkor Wat ancient architecture, to peer at mythology images and intricate scenes depicted on frescoes and bas-relief friezes of the truly unique and one of the largest ever created temple complexes, the construction of which was taking place for over three hundred years. Those people who have already familiarized themselves with the Primordial Knowledge brought to the world by Bodhisattva Rigden Djappo will certainly have an advantage over ordinary viewers, since, looking at the images in the light of the Knowledge, they will be able to “read” and decipher certain sacral motives and symbols graven in stone for ages. We’ve especially numbered the images for those who will wish to share their opinions and interpretations in the comment section. For such people the matchless scope of the Angkor Wat idea is, first and foremost, an indicator of the very high level of Khmer people’s spiritual culture and proximity to God. And for all the rest it will be apparently a mere exotic rarity and implementation of somebody’s megalomania. Well, everyone errs to the extent of their ignorance.
I’ve decided to carry out a deeper analysis of information relating to secrets and mysteries of the sacred city of Angkor Wat in Cambodia after reading the article The revealed secrets of Angkor and Giza plateau – the pendulum of Orion and Draco. Apocalypse now?, recently published on this website. While preparing this material I discovered plenty of interesting data that I intend to share herein. Thus, Angkor Wat is a giant temple complex and the largest religious monument in the world. The complex is included in the UNESCO World Heritage List. Angkor occupies the area of about 200 square kilometres, whereas recent studies indicate its area could be around 3,000 square kilometres with a population of some half a million people, making it the largest settlement of its time. The temple complex was constructed as three concentric right-angled buildings, the height of which increases towards the centre. The temple is surrounded by a wall of 1.5×1.3 km and an artificial moat filled with water, 3.6 km long and 190 m wide. The internal building consists of five towers and resembles a lotus flower. The central building rises 65 m above the ground.
Mohenjo Daro (literally the Mound of the Dead Men) was a city in the ancient Indus Valley Civilization that emerged around 2600 BC. A relevant archaeological site is located in the current province of Sindh, Pakistan. It’s the largest ancient city of the Indus Valley Civilization, and one of the world’s earliest urban settlements in the history of South Asia, contemporaneous to the civilizations of ancient Egypt and Mesopotamia. Archaeologists first attended Mohenjo Daro in 1911. Regular excavations were carried out between 1922 and 1931. John Marshall who was in charge of the British expedition noted the “identity” of Mohenjo Daro finds with those from Harappa discovered 400 km upstream the Indus River. Later major series of excavations were conducted in 1950 and 1964, but the American expedition activity in 1964-1965 was terminated due to weathering damage to the exposed structures. In 1980 Mohenjo Daro was designated an UNESCO World Heritage Site. Mohenjo Daro perimeter reaches five kilometres. The city area is divided into blocks (“islands”) of the same size (384 metres from the north to the south and 228 metres from the west to the east). Each block is in turn “cut” by straight or curved streets.
While reading myths, Vedic sources, studying signs and symbols, and based on the Primordial Knowledge given in the books by Anastasia Novykh, I have noticed that some images frequently used in all these sources (despite the fact they are depicted and called differently) symbolize one and the same concept – the one that may be figuratively referred to as the Bridge. I wrote on this subject in my earlier article Chinvat. The Bridge over the Abyss, but for those who haven’t read it I should briefly explain: what is meant here is the symbolic Bridge-Passageway signifying the spiritual Knowledge that helps human personality pass from the material world into the spiritual world – the world of God. It may otherwise be said that “the Bridge is what helps human personality merge with the Soul”.
Familiarizing myself with information about Angkor Wat on the web, I discovered almost same things written everywhere; simply speaking, the information was taken from a single source, though many do not refer to that source, as if they wrote it themselves. I will use the same source, but will also indicate the primary source not mentioned by many. The primary source is the book Heaven’s Mirror: Quest for the Lost Civilization by Graham Hancock and Santha Faiia. A connection between Angkor and the sky was ascertained by John Grigsby who cooperated with Hancock in 1996. I refer to the primary source, so that everyone who desires could get to know more detailed information on the subject, while I shall only cite extracts and give some comments.
Owing to another tip given in a commentary to one of the previous articles we have found an indication that in old times our semi-literate (as we erroneously imagine) ancestors possessed serious knowledge on construction of both sacred buildings and city fortresses, in particular on application of sacred geometry in construction of building foundations and even whole architectural complexes for the purpose of activating positive features and blocking negative features in local population. In this article we shall talk about quadratic structures that are indicative of the common ancient symbolism of spiritual knowledge as reflected in architectural layouts of temples and churches of various religions, and most amazingly in location of gates to ancient cities and fortresses on different continents of the planet. The outcome of our earlier work on proving the existence of the four human Aspects may be directly linked with a strange pattern in references to the number of main gates in ancient cities and the gates orientation at the four cardinal directions: south, west, north, and east. However, let’s first dwell at length on the architecture stories of two places – Ancient Egypt of the times of Hermes Trismegistus and Kievan Rus of the times of Agapit of Pechersk (times of the reign of Yaroslav the Wise). We shall postpone to later publications a bold assumption that these two highly spiritual Personalities – the ancient Egyptian deity and the revered Orthodox Saint whose relics are kept in Kiev Pechersk Lavra caves – were incarnations of one and the same Spiritual Being who visits the earthly world from time to time, and let’s refer to the sources.
Please, note the article is continuously updated!
Shambala is an alluring word that is covered with myths, legends and obscure ideas. It’s a mysterious place where the teachers of humanity dwell and where it’s extremely difficult to get. Some spiritual seekers dedicated their whole lives to searching it, whereas in the today’s age of active transmission and spread of information (judging by internet publications) we have failed to find even a slight intelligible evidence of it. The respected search engine Google offers only bracelets, necklaces or amusements with such name, leading away to material stuff and clearing up no essence at all. Evaluating the level of consumer priorities of the contemporary world community, one comes to conclusion that people take the Shambala myth sceptically, as a fairy tale or legend. Yet, why? As a matter of fact, people who dedicated effort, years and even lives to the search of Shambala were not stupid or worst in their times, quite the contrary. An impression arises that a certain influential earthly force has put an impenetrable information wall in this field as well. In order to bring down the wall at least a little bit and clarify the situation with the “myth”, in this article we shall try to collect and refresh information about the mysterious abode of Bodhisattvas. Hopefully, the information will be useful for many people.
02.08.2017
10.07.2016
25.07.2016
31.07.2016
Project Aim
